Alex emphasizes utilizing his platform of business and marketing to not only help create music festivals but also to create the necessary branding and marketing that a company or an artist may need. He is all around Artist Management, also specializing in Tour Management, Brand Awareness, and Media buying.
Beauty School Dropout (BSD) is a Los Angeles-based “Renegade-Pop” band that launched in 2020. The five-piece outfit began with vocalist, Cole Hutzler, drummer, Mike Rose, and bassist, Brent Burdett; all formally of alt-rock group Strangefaces. The evolution of BSD began with what was initially Hutzler’s solo project. As he teamed up with producers Diego Ruelas and Bardo to shape the sound, former bandmates Mike and Brent followed soon after to join the collaborative process. BSD is currently working with 3x Grammy-winning rock producer, Rob Cavallo on their debut EP.
Coining the term “Renegade-pop”, Beauty School Dropout is a seamless mixture of pop, rock, punk, and hip hop.
You might think that you know RYAN CABRERA. Sure, the platinum-selling singer and songwriter is the architect behind ubiquitous smashes such as “On the Way Down,” “True” and “Shine On” as well as albums including 2004’s Take It All Away, which hit #8 on the Billboard Top 200, You Stand Watching , and The Moon Underwater . However, get to know RYAN like never before on his newly released EP Wake Up Beautiful (Dynamite Music) and fifth full-length album due out later this year. Stardom aside, it’s never ever been about image, media, or pomp and circumstance for CABRERA. It’s always come down to one thing: the music. It’s where everything starts…
In 2009, he began writing songs for what would eventually become record number five. However, the inspiration didn’t quite click right off the bat. So, he continued cataloging his thoughts and emotions over the next few years. He immersed himself in other artistic pursuits such as painting—actually decking out his home with all original work enjoying his own personal renaissance.
He also spent meaningful time at hospitals around the country, brightening up the day for countless sick children and young adults. Inspired from this, CABRERA also took the opportunity to launch a live music series entitled Live From Ryan’s Living Room. Utilizing VYRT, he broadcasts live performances from his living room and all proceeds for “online tickets” benefit different charities. Everybody from Colbie Caillat and Gavin DeGraw to Billy Ray Cyrus and We The Kings has joined him in the Living Room for unique live jams.
Amidst this creative upswing, 2013 ushered in something of a new awakening for CABRERA. After penning “I See Love” in Nashville with Nathan Chapman [Taylor Swift], he experienced a revelation. “That sparked the mindset of the new album,” he affirms. “It was about writing songs that are real and honest. It was, ‘Write what you love and are passionate about.’ That ignited the entire record.”
He went back to Los Angeles reinvigorated and locked himself in the studio with producer Justin Gray [Mariah Carey, John Legend, Amy Winehouse]. Together, the duo wrote and performed the bulk of the album, playing all of the instruments themselves. “It’s organic pop music,” CABRERA declares. “Justin and I hit it off immediately. We were in a room together, jamming on everything. We weren’t trying to be anything or fit any kind of mold. It was just music we dug. I started writing all of these fun, positive, and uplifting songs. My whole perception had changed. Every song tells its own story.”
The first single released, “House On Fire,” shimmies from a percussive tribal intro into an incendiary refrain. He smiles, “It’s about burning everything down and being crazy while you can. You’re living in the moment and enjoying everything you do. A lot of people are afraid to let themselves go, be passionate, and express their feelings. You’ve got to burn it all down—even if just for one night. Let loose and go nutty! It feels great.” Fans and media have raved about House On Fire;” People Magazine wrote “Cabrera delivers his catchiest hooks” since “On The Way Down” and Perez Hilton proclaimed it “the best song Cabrera has ever released.” “House on Fire” was also a #1 Billboard Dance Chart song and regular on numerous Spotify playlists during the summer of 2015.
At the same time, CABRERA still knows how to write a touching love song. “All We Have” captures a distinct moment that’s both heartbreaking and hypnotic. “That’s one of the love songs,” he sighs. “It’s about that relationship that got away. Maybe you made a mistake. Now, you’re making your plea about why you should be together. You admit you’re wrong, but you still want to be together.”
Ultimately, this is the real RYAN CABRERA. He doesn’t hold anything back, and he’s created his most uplifting and powerful music to date.
“I want the music to speak for itself,” he leaves off. “My career has been about a lot of things from the outside. The focus unfortunately shifted to what my hair was like or who I was dating. That’s not why I started playing music. It’s always been about the music. That’s it. It’s not about being a pop singer. It’s about being an artist. I want people to think of the songs before they think of me. It starts now. This is going to be a fun ride.”
CABRERA’s full-length will be released later this year.
Promenade Music Entertainment
Jack Cassidy is a Christian singer/songwriter from a family of talented entertainers. He’s the grandson of Academy and Tony Award Winning actress Shirley Jones, son of musical theatre actor Patrick Cassidy, and the nephew of actor and recording artists, David Cassidy and Shaun Cassidy.
At age 11, Jack’s piano lessons led him to composing music, which garnered his first national award in the Reflections Program for Music Composition.
Worship music became the center theme and passion of his life following a spiritual encounter with God at a high school Christian camp.
In early 2017, Jack was a contestant on NBC’s The Voice, Season 12, where mentored by Alicia Keys and DJ Khaled, he made the Top 20. Jack’s Battle Round performance of “Dancing On My Own” was the highest selling single in the history of The Voice. Since leaving the show Jack has been working with top-tier producers and writers from the Christian world, including Hillsong Young & Free, Brenton Brown, Urban Rescue, and Disney. Jack released his first single “Emmanuel (Go To Tell The World)” in December 2017. He recently showcased the new single live on tour, opening for Contemporary Christian artist, Jeremy Camp.
“As a man of faith it can be strange to make my living in a business of smoke and mirrors, but my goal in doing that is to bring a sense of realness and authenticity to my artistry in the midst of a business that is fake at its very core.”
Jack’s heart for music is purely an invitation to allow people the opportunity to encounter God through the very music that has been given to him. Jack loves every second of the creative process of writing and performing, but the true overarching goal of his career is to give to others what he has received. Giving forth love, healing, and enjoyment to those listening, never failing to give all the credit to God as the only reason for his success.
Jack is continuing to collaborate with writing and producing circles made up of some of Christian music’s most highly respected/sought after/success (people) in the Christian music industry. He will be releasing a full length album in 2018.
Singer, Actor, Songwriter, Director and Writer Juan Pablo Di Pace was born in Buenos Aires, Argentina and moved to Europe when he was 17. He lived in London for 10 years, in Madrid for 4 years and currently resides in the U.S. and speaks fluent Spanish, Italian and English. With an extensive music background, Juan Pace is considered a “triple-threat” in Europe,as a musician and having played leading roles in musicals such as Grase (Italy, 1999) and Saturday Night Fever (Spain, 2009) before bringing his talent to the U.S. appearing in such hits as “Fuller House,” “A.D. The Bible Continues” and “Mamma Mia.”
On the music side, Juan Pablo Di Pace’s success began in Spain where he released the track “We Wanna Rock” through the Globo Music label. The song was a #1 hit on the Spanish iTunes charts and soon after Juan Pablo released his first full length album of songs from his one man show “Primer Acto.” Recently, he has worked with writer/producers Diane Warren, Desmond Child and Konrad Snyder (amongst others) and has headlined concerts at New York’s 54 Below, at the EL CID in Los Angeles, at the Nuevo Teatro Alacalá in Madrid and at the Velma Cafe Theatre in Buenos Aires.
Now in 2018, Juan Pablo begins a new chapter with his single and video “Broken,” with music written by Juan Pablo and Josh Olsen and the video directed by Juan Pablo. “Broken”is the first song from Di Pace’s forthcoming EP of original tracks which is set for release in 2018.
As an actor, Juan Pablo is best known in the US for playing the role of Jesus Christ on “A.D. The Bible Continues,” (produced by Mark Burnett and Roma Downey) for which he won a GRACE Award for “Most Inspiring Performance” in 2016; for the role of self-made billionaire Nicolás Treviño on TNT’s reboot of “Dallas” (2014) and for his role in the movie “Mamma Mia” (2008.) Currently, Juan Pablo can be found playing nut-job Fernando on Netflix’s #1 show “Fuller House”which has won a multitude of awards including the People’s Choice Award, Kids Choice and Teen Choice Awards for Seasons 1 and 2.
Di Pace has made several appearances on British and Spanish television including the BBC One comedy “The Catherine Tate Show,” “Aftersun,””New Tricks”and “River City,” His 2005 movie debut was in the film “Survival Island” alongside Billy Zane before garnering many roles in Spain with performances in “Supercharly,” “Angel o Demonio,” “Los Hombres de Paco,” “El Don de Alba” and “Física o Química”.
Di Pace has also directed several short films including “La Belleza”(Cannes pre-selection,) “New Boy,” “A Family Affair” and music videos for artists The Huges Corporation, Katie Melua, Josh Olsen and his own “We Wanna Rock” and the forthcoming “Broken.” Publicity Contact: Deborah Radel at DRPR, 310.360.3997 or email [email protected] more info on Juan Pablo visit www.juanpablodipace.com
As the history of popular music develops, one fact shines through: talent wins. You can’t cheat and survive for any length of time. You can’t hype and fool people more than once. You can’t hide behind image makers, or alluring videos, or the cut of this season’s clothes. Or you can – but then you die. To survive you must evolve, improve, have faith, still thrill. Longevity depends on making the best music.
George Michael has never thought of popular music as a career: it’s far more personal – more precious – than that. But he has always taken the long-term view, that ultimately an artist’s achievement will not be judged in terms of number one singles, or magazine covers, or prestigious awards, but by a large body of work, a collection of albums over time, a lifetime’s development in an artform that no longer depends on shock or rebellion or the quick burn-out to make a mark.
In 21 years, and at 41 years of age, George Michael can already look back on more than 85 million record sales worldwide. He’s notched up six US No.1 singles (from his solo debut album); eleven British No.1 singles and seven No.1 albums to date. He has also played at some of the biggest and most important concerts in history (Live Aid, the Nelson Mandela Freedom Concert, the Freddie Mercury Tribute, NetAid), all in front of capacity audiences at Wembley Stadium and in front of many millions watching throughout the world.
George Michael was born Georgios Kyriacos Panayiotou on 25 June 1963 in North London, and went on to meet his future Wham! partner Andrew Ridgeley at a nearby comprehensive school. They formed their first band, The Executive, in 1981, but soon realised their chosen path lay as a duo: Wham! was born. Within a year they had released their classic debut single, ‘Wham Rap’, but it was their second single, ‘Young Guns (Go For It!)’ which became the first in a string of Top 10 hits.
In the summer of 1984 George unveiled a glimpse of what was to come by releasing the classic ‘Careless Whisper’. His first solo single while still with Wham! became one of the signatures of the Eighties and one of the most-played radio songs of the decade. It was written when he was still only 17.
His growing maturity was further established with the release of ‘A Different Corner’, his second solo single, and another mature ballad of lasting worth. A few months later George and Andrew decided that Wham! should disband while still at the very peak of their success. This announcement was followed by a unique final concert at Wembley, an emotional farewell in front of 72,000. Their place was assured as one of the most exuberant pop bands of the Eighties. Equally certain was that George was set for a remarkable solo career.
In 1987 George became the first white male vocalist ever to duet with soul great Aretha Franklin. The resulting recording, ‘I Knew You Were Waiting’, shot straight to the top of the charts worldwide, starting off a year which saw George jetting between London and Denmark, recording tracks for his outstanding debut album ‘Faith’.
The album, released in November 1987, showed George Michael to be one of the finest songwriters of the decade and guaranteed him a whole new audience. The album was a No.1 on both sides of the Atlantic, with worldwide sales approaching 15 million. ‘Faith’ received a Grammy for the Best Album of 1988, and won George two Ivor Novello Awards for Songwriter Of The Year and International Hit Of The Year (‘Faith’). George also won American Music Awards for Favourite Male Vocalist (pop/rock), Favourite Male Artist (soul/R&B) and Favourite Album (soul/R&B).
In America, the outstanding success of ‘Faith’ was marked by six No.1 singles: ‘I Want Your Sex’, ‘Faith’, ‘Father Figure’, ‘One More Try’, ‘Monkey’ and ‘Kissing A Fool’.
The live ‘Faith’ tour followed in February 1988, taking the hits package to a momentous opening date at Tokyo’s Budokan Stadium, and then on to ecstatic audiences in Australia, Europe and North America. In June, George interrupted the tour to sing three songs at Wembley Stadium’s Nelson Mandela Freedom Concert.
By September 1990 George had gathered together a new body of work – ‘Listen Without Prejudice: Vol.1′ – and another new direction was visible from the first single, ‘Praying For Time’. Much of the album had a raw, stripped-down feel, and drew heavily from classic Sixties tracks, black rhythm and jazz moods. Mostly they were personal, increasingly philosophical songs; once again they went against the prevailing chart trends.
His videos created new waves too: it was almost unheard of for an artist of his stature not to appear centre-stage, but for ‘Freedom 90′ he found other stars – Cindy Crawford, Naomi Campbell, Christy Turlington and Linda Evangelista. This was the first time these supermodels had been seen together away from the catwalks, and it was an attraction no one found able to resist thereafter.
The album was another British No.1, and also spawned the hit singles ‘Waiting For That Day’, ‘Heal The Pain’ and ‘Cowboys and Angels’. Still in his Twenties, Michael was already being classed alongside those artists he admired most, and with whom he had the honour of dueting: Aretha Franklin, Elton John and Stevie Wonder. He brought out an autobiography to coincide with the new album (‘Bare’, co-written with Tony Parsons), and was granted a UK television special, an ultimate cultural sign of arrival.
In November 1991 George released ‘Don’t Let The Sun Go Down On Me’, a duet with Elton John from one of George’s Wembley concerts. The song was another No.1 worldwide, and all proceeds went to the AIDS hospice London Lighthouse and the Rainbow Trust Children’s Charity. A few months later George was in the charts once more with ‘Too Funky’, a single from the ‘Red Hot and Dance’ AIDS charity album, which included a collection of remixed hits by artists such as Madonna and Seal as well as three brand new George Michael songs – the only new songs on the album.
‘Too Funky’ went on to become Europe’s most played record of 1992, helped partly by the video directed by George and styled by designer Thierry Mugler.
Early in 1993 George spent three weeks at the top of the charts with the ‘Five Live EP’, featuring duets with Queen and Lisa Stansfield on tracks from the 1992 Freddie Mercury Tribute Concert and from his own Cover To Cover tour in 1991. All proceeds went to the Freddie Mercury Phoenix Trust.
In October of the same year, in a bold statement, making headlines worldwide, George appeared in court against his record company Sony Music Entertainment, as he attempted to break free from the company he claimed no longer accepted his musical direction. Nine months later, the judge found in favour of the record company. An appeal was issued, and was due to be heard in 1996.
On 1st December 1993, World AIDS Day, George played a benefit concert in front of the late Diana, Princess Of Wales. This ‘Concert Of Hope’ also featured kd lang and Mick Hucknall and was televised worldwide, doing much to raise funds and awareness of the disease. Towards the end of 1994 Michael performed a new song on the first MTV European Music Awards, in the shadow of the Brandenburg Gate in Berlin. ‘Jesus To A Child’ was the first new George Michael song the huge television audience had heard for almost three years, and the acclaim was universal.
Undeterred by the fact that he still wasn’t able to release any new material, ‘Careless Whisper’ was voted Londoner’s favourite record of all time in January 1995 in a competition run jointly by the capital’s leading evening newspaper and radio station. He was then voted Best Male Singer by the same radio station, and by the readers of a national newspaper. In April 1996, George won the Capital Radio award for ‘Best Male Singer’ once more and was also honoured with an ‘Outstanding Contribution To Music’ award.
By July 1995, after many months of negotiations, it was agreed that Michael would leave Sony and sign two new deals, one with Virgin Records for the World excluding the United States and the other with Steven Spielberg, David Geffen and Jeffrey Katzenberg’s newly formed SKG Music in North America.
George’s first album for Virgin Records, ‘Older’, was released on 13 May 1996 and thus far the global sales have been outstanding. The album has already earned multi-platinum and/or gold status in 34 countries, including 5 x platinum in the UK.
Written, arranged and produced by George Michael, ‘Older’ was recorded in London and features 11 brand new tracks including the huge international hits, ‘Jesus To A Child’, ‘Fastlove’ and ‘Spinning The Wheel’, the double A-side “Older”/ “I Can’t Make You Love Me” and “Star People â€˜97″.
The video for ‘Fastlove’ was also the top choice of MTV Europe viewers in September 1996, as it picked up the ‘MTV Europe International Viewers Choice Award’ at the MTV Video Music Awards in New York.
At the beginning of October 1996, George performed his first live shows for five years with a gig for Radio 1FM followed by an Unplugged Session for MTV. Although these concerts were attended by the smallest audiences George has ever played to, he claims they were nevertheless two of the most enjoyable, due to the intimacy of the occasion. The Radio 1FM audience consisted of just 200 people and the MTV Unplugged session slightly larger at 500. Both audiences included competition winners, some of whom had flown to London from all over the world, as well as various specially invited guests. At both these events, George performed a stunning set which included the tracks ‘Father Figure’, ‘One More Try’, ‘Waiting For That Day’, ‘Freedom’, ‘Fastlove’ and ‘Older’, closing with the uptempo ‘Star People’ which had the audience up on their feet begging for more.
In 1996, George was voted “Best British Male”, at the MTV Europe Awards and the BRITs; and at The Ivor Novello Awards, he was awarded the prestigious title of “Songwriter of The Year” for the third time.
On 8th September, George released a 4 track E.P. entitled “You Have Been Loved” which debuted at number 2 making him the first artist in chart history to have 6 top 3 singles from one album.
On 24th November 1997, his former record label Epic released “If You Were There” – the long-awaited collection of Wham’s Greatest Hits and on 1st December Virgin Records released a limited edition version of George’s “Older” album which contained a bonus disc of 6 remixed tracks entitled “Upper”. The “Upper” CD is exclusive in that it includes interactive elements, allowing fans access to George’s web site, videos and fan club through the internet.In 1998 “Ladies and Gentlemen: The Best of George Michael” was released on Epic Records as agreed in the Sony settlement in 1995. The album soared to the top of the charts in the week of its release, 9th November, and remained at Number 1 for eight weeks, selling over 2 million copies, during the notoriously competitive Christmas period. The album features songs from every era of Michael’s career from “Careless Whisper” to the three brilliant brand new tracks. “Outside” was released on 19th October 1998 with an accompanying video that had George Michael’s controversial stamp very clearly on it.
The end of 1998 brought George Michael more accolades. “Ladies and Gentlemenâ€¦” achieved eight times platinum in the UK and also reached number one on the combined European Album Chart. Michael also topped the polls of the 95.8 Capital FM Hall of Fame for a record eighth time. On 5th December 1998 a 1 hour Parkinson special was screened on BBC 1 to universal critical and public acclaim.
On 8th March 1999, George Michael released “As” a duet with R&B Diva Mary J Blige, written and originally released by Stevie Wonder on his “Songs in the Key Of Life” album.
Early October saw George Michael back on stage. He gave a rare live performance at Wembley Stadium for the NetAid benefit concert. For many this was the highlight of the evening as a full gospel choir and 20 dancers joined Michael for songs including “Father Figure” and a moving rendition of “Brother Can You Spare a Dime”. The set opened with the recreation of the “Fastlove” video as Michael appeared seated in the famous black leather chair with in-built speakers and closed with the 70,000 strong Wembley Stadium audience singing backing vocals for “Freedom 90″.
At the close of 1999 George Michael released his fourth solo album, Songs From The Last Century, which features tracks written by some of the greatest composers of the last 100 years. This retrospective collection includes Michael’s version of “My Baby Just Cares For Me”, “Roxanne”, “Secret Love”, “Where or When”, “Miss Sarajevo” and “Brother Can You Spare A Dime”. Each of the 11 tracks were co-produced by the legendary Phil Ramone and George Michael.
As a result of pre-orders in excess of 750,000 in the UK the album achieved double platinum status on the day of release, 6th December 1999. Songs From The Last Century went on to be one of the biggest selling albums of the Christmas period throughout Europe, and despite having no singles released from it, remained in the album charts throughout the start of the 21st Century. During the first half of the year 2000, George Michael gave two live performances at international Charity benefit concerts. Equality Rocks took place in the USA and Modena, Italy was the venue for the Pavarotti and Friends Concert 2000.
June 2000 saw the release of the duet “If I Told You That” with Whitney Houston. Released on Arista records, it was a massive hit, spending many weeks at Number One on the combined European Airplay Chart. The single is taken from Houston’s Greatest Hits album.
Towards the end of 2001, George Michael signed an unprecedented deal with Universal Music. The single “Freeek!” was released on Polydor Records on 18th March 2002. The track, Michael’s first self penned single in three years, was accompanied by a video that pushed the boundaries in every sense. Directed by the famed Joseph Kahn, the post-production effects were added by some of Hollywood’s leading experts. The result perfectly complimented the song and was a visual masterpiece, having more in common with a feature film than a promotional music video. “Freeek!” was granted it’s own TV World Premiere on Channel 4 in the UK and was then premiered on primetime television in other countries around the World.
“Freeek!”, the first single from George’s new album, was an International hit, charting at number one in six countries and entering in the Top Ten of a further eight european countries alone.
At the end of July, George followed “Freeek!” with the satirical single “Shoot the Dog”. This was accompanied by a video animated by the team behind the popular TV show 2DTV.
Late in 2003 George Michael resigned to Sony Music and in 2004, he released the uplifting single “Amazing,” which was a top five hit in the UK and throughout the world.
“Patience,” George’s first album of original material for eight years, jetted straight in at number one in the UK breaking George’s own personal record for first week sales. “Patience,” has continued to hit the No.1 spot around the globe from Germany to Hong Kong and was released in the USA in May 2004. During recording and promotion of the album “Patience” George also made his documentary “A Different Story” which was screened at the Berlin Film Festival February 2005.
Matchbox Twenty is: Kyle Cook * Paul Doucette * Adam Gaynor * Rob Thomas * Brian Yale.
Since making their debut in 1996, Melisma/Atlantic recording group Matchbox Twenty has become one of the most admired and consistently successful rock bands in recent history, with over 25 million albums sold worldwide. Named as the “Best New Band” in the 1997 Rolling Stone Readers Poll, they have since moved from accomplishment to accomplishment, clearly establishing themselves as an exceptional unit, both in the studio and on stage.
“MORE THAN YOU THINK YOU ARE,” Matchbox Twenty’s eagerly anticipated third album, was released in November 2002 and debuted at #6 on the Billboard 200 album chart. Produced by the band’s longtime studio collaborator Matt Serletic, the new album quickly sailed past the RIAA platinum mark (for over one million copies sold in the U.S. alone).
The album has thus far yielded two consecutive #1 radio smashes, “Disease” and the current chart-topper, “Unwell.” These mark the two latest additions to Matchbox’s ever-growing list of hit singles, including the #1-charting “Push,” “3AM,” “If You’re Gone,” and “Bent” (which also hit #1 on the prestigious Billboard “Hot 100″), plus such top five favorites as “Read World,” “Back 2 Good,” and “Mad Season.”
“MORE THAN YOU THINK YOU ARE” marks Matchbox Twenty’s first new music since 2000’s RIAA quadruple-platinum “MAD SEASON BY MATCHBOX TWENTY.”
The quintet made their debut in 1996 with “YOURSELF OR SOMEONE LIKE YOU,” which earned the RIAA’s prestigious Diamond Award and has sold more than 15 million copies worldwide.
Matchbox Twenty lead singer and primary composer Rob Thomas is widely acknowledged as one of the most gifted vocalists and inspired songwriters in contemporary music. Besides his work with the band, Rob has been frequently invited to collaborate with other artists – most notably Santana, for whom he wrote and sang the smash single, “Smooth,” which earned Thomas three Grammy Awards. He has also recently worked with the likes of Willie Nelson, Marc Anthony, and Mick Jagger. Combining all of his projects, Rob has been the driving force behind the sales of over 60 million records. He has earned a remarkable 11 BMI Awards, and was named Billboard’s Songwriter of the Year two years in a row.
An exceptional live band, Matchbox Twenty stands among the top concert draws in North America, and their “mad season” coast-to-coast tour sent ticket phone lines and websites into overdrive – including selling out their debut performance at New York City’s venerable Madison Square Garden in just 10 minutes. On April 25th, the band embarked on their much-anticipated 2003 North American tour, marking their first U.S. dates since the fall of 2001.
Matchbox Twenty actively supports many charitable causes, including:
PAX — a non-political nonprofit organization dedicated to the issue of gun violence. PAX’s latest initiative is “SPEAK UP,” a campaign to encourage students to anonymously report weapon-related threats in their school via a toll-free number. Long-time supporters of PAX, Matchbox Twenty included a special “SPEAK UP” insert in copies of their new album, and a pair of front-row tickets in selected markets on their 2003 tour is being auctioned off on eBay to benefit “SPEAK UP.” In addition, the band produced a unique book – entitled “Matchbox Twenty Sessions 2002″ – documenting the making of “MORE THAN YOU THINK YOU ARE,” with all net proceeds going to PAX.
the matchbox foundation (a charity organization set up by the band to distribute money to various causes), in conjunction with The Hard Rock Cafe, sold a limited edition t-shirt which raised over $200,000 for victims of the 9/11 tragedy.
Blythedale Children’s Hospital — Founded more than 100 years ago and located in Westchester, New York, the hospital is dedicated to improving the health and quality of life of children with complex medical and rehabilitative needs. Rob Thomas recently wrote and recorded a special solo song, entitled “A New York Christmas,” in support of the medical center, and he has performed at the hospital’s annual holiday fund-raising concert for three consecutive years.
Pets Alive — a no-kill animal shelter located in the foothills of the Catskill Mountains, whose mission is to rescue, rehabilitate, and place animals in need. Pets Alive is currently the only retirement home available for New York City carriage horses. Among the band’s activities supporting the shelter, at their May 16th New York area appearance at the Continental Airlines Arena in New Jersey, a 50 cents per ticket donation will go to Pets Alive.
“The Break and Repair Method Paul Doucette’s (Matchbox Twenty) solo debut is steeped in the irony of the records name, milk the bee, set to hit via bluhammock music on September 16th. “When I first came up with the title, it was from a place of pure frustration. It seemed a futile thing to do – you make a record – and really – what’s the point? It’s like milking a bee,” Doucette explains. It’s not surprising Doucette was compelled to christen the product of his efforts with a title that implies such pointlessness. After years as the drummer of the wildly successful band Matchbox Twenty, Doucette took advantage of a temporary break to record songs he’d been working on. “When I first made the record, I had been in a band for so long, and I was always a drummer. I never really contributed much melodically, so it was important to me to do as much of that as I could,” says Doucette. With a deal secured, he prepared to record his debut, but soon found himself without a label due to major industry shake-ups. After several false starts and broken promises, Doucette found himself with a completed album of brilliantly catchy, emotionally laden songs, and no label. “It got to the point where I couldn’t move on to the next thing,” says Doucette. And luckily, he didn’t.
The Break and Repair Method is Doucette, a moniker he has chosen to best represent himself and his brilliant solo debut laced with catchy pop melodies that scale emotional depths in single songs. Written predominantly on the piano, Doucette pull influences from Harry Nillson to Neil Finn. Recorded around Los Angeles, Doucette relied on both friends and strangers to record the record. “There were two teams, basically,” Doucette says of the recording process. ” did the recording in different sections.” Matchbox multi-instrumentalist Matt Beck helped out, as did Doucette’s wife Moon Unit Zappa and Veruca Salt co-founder Nina Gordon. Other collaborators included David Levita (Alanis Morrisette), Roger Manning (Jellyfish, Beck) and Rusty Anderson (Paul McCartney).
Named for the exercise routine of a songwriter friend, the Break and Repair Method aptly describes the fluidity of personnel, as well as Doucette’s songwriting. “Something about the name really rung true with a lot of the way I write. One song will be really lyrically dark, and then the next song is the complete opposite. I have a tendency to do that. So it fit my style of writing,” says Doucette of his choice of name. The choice also aligns with the arch of milk the bee. With songs ranging from the birth of his daughter (Now We Become Part Of) to the album’s closer, inspired by a photo of an elderly couple (The Most Somebody Can Know), Doucette bookends milk the bee with the two seminal human experiences, and explores the remainder in between. The album’s opener -This City (Is Bound To Do Us In)is a pop-rock Trojan horse a catchy hook wrapped around an indictment of the lack of social culpability, triggered by the United States involvement in Iraq. “I started with the line in the middle of the song ‘We’re so in love with ourselves, we’ll show up with our tanks, pick up our feet and settle down,’” Doucette says. One of the albums only love songs, ‘You Won’t Be Able To Be Sad,’ is the sunniest song about not getting what you want written in recent history. “It can almost be considered a concept record,” says Doucette.
Having created an album with a history as storied as its contents, Doucette has since realized that milking the bee is not the exercise in futility he once thought. “People actually do milk bees,” Doucette laughs. “I didn’t know that.” He’s since revised his assessment of the album being a pointless exercise. From conception to release, Doucette has relearned the invaluable lesson he imparts in many of his songs. “Life is always like that. You get broken, and then you pick yourself up and do it again. You move on, and eventually you fix it.”
KORN – KID ROCK – GODSMACK – SYSTEM OF A DOWN – POWERMAN 5000 – RED HOT CHILLI PEPPERS – HOLE – METALLICA – SMASHING PUMPKINS – MARYLYN MANSON – SLIPKNOT – SEVENDUST – ICE HOUSE – ERIC CLAPTON – RUSH -HATEBREED – MUDVAYNE – SLAYER – QUEENSRYCHE – HED PE – SEPULTURA – MATCHBOX TWENTY – COOLIO – ALICIA KEYS – MARY J BLIDGE – SHANICE – LL COOL J – WHITNEY HOUSTON – DAVID BOWIE – AEROSMITH – INXS – GEORGE MICHAEL – SANTANA – MICHAEL JACKSON – KISS – COLD CHISEL – JOE COCKER – TESLER – VAN HALEN – DEF LEPPARD – DIVYNILS – FLEETWOOD MAC – THE POLICE – JO JO ZEP & THE FALCONS – SKYHOOKS – ROD STEWART – MIDNIGHT OIL – KISS – THE TORIES – QUEEN – DESTINY’S CHILD – RITCHIE SAMBORA – HOOTIE – DAN BAND – ROB THOMAS – BLACK EYED PEAS – MACY GRAY – JAMES BROWN – JUSTIN TIMBERLAKE – MAROON 5 – THE DAN BAND – MTV / VH1 NETWORKS “LIVE” TELECAST P/E/M
AEROSMITH “Dream On” with Michael Kamin and the Boston Philharmonic
MICHAEL JACKSON “Will You Be There”
MICHAEL JACKSON / SLASH “Black & White”
GEORGE MICHAEL “Freedom”
R.E.M. “Losing My Religion”
Nellee Hooper has produced tracks for Gwen Stefani’s multi-platinum album, “Love Angel Music Baby” and U2’s Numerous Grammy winning “How to Dismantle an Atomic Bomb” album. Nellee Produced the No Doubt song entitled “it’s My Life” for their Greatest Hit’s CD, and was a 2003 Grammy nominee for Producer of the Year, for the 5 tracks produced on NO DOUBT’S Rock Steady album, which included mega hits “Hella Good” and title hit “Rock Steady”. He Produced three tracks for HOLLY VALANCE’S debut album “Footprints” on London Records. Also remixed a track for LAMB titled “Gabriel” for Mercury UK.
Nellee has put his signature style producing, mixing, and remixing other hits for LAMYA, SINEAD O’CONNOR, SEAL, ZIGGY MARLEY, SNEAKER PIMPS, JANET JACKSON, DEPECHE MODE, WHITNEY HOUSTON, AND MAXI PRIEST. He produced BJORK’S debut album “Debut” and on “Post”, MASSIVE ATTACKS album “Protection”, co-wrote and co-produced 5 tracks on MADONNA’S “Bedtime Stories”. He has had several brilliant successes working on soundtrack hits such as U2’s “Hold Me, Thrill Me” for the BATMAN FOREVER film soundtrack, produced several songs for SMASHING PUMPKINS for the “BATMAN AND ROBIN” film soundtrack, and produced TINA TURNER’S “Golden eye” for the film soundtrack GOLDENEYE. He produced and scored the film soundtrack for ROMEO AND JULIET for 20th Century Fox which included the hit single “#1Crush” by GARBAGE. He did an edit version of his original hit “6 Underground” for THE SAINT soundtrack. Nellee was executive music producer for THE BIG TEASE film soundtrack. Nellee was awarded the UK PRODUCER OF THE YEAR in 1995, a heady achievement for a young talent.
“In My Head” “Running”
Becoming X “6′ Underground”
Romeo & Juliet (ST)
“Crush” #1 Single by Garbage
Batman and Robin (ST)
“The End is the Beginning is the End”
“The Beginning is the End
is the Beginning”
Batman Forever (ST)
U2 “Hold Me, Thrill Me, Kiss me, Kill Me”
“Nothing Compares 2 U”
Tina Turner “Goldeneye”
The Big Tease
Motion Picture Soundtrack
“Under The Bridge”
Uni/Full Frequency Range Records
“Got Till It’s Gone”
Kindness of Strangers
“Across The Border”
Wendy & Lisa
“Future Love Paradise”
Soul II Soul
Club Classic Volume 1
1990 – A New Decade
“Since Day One”
“Space In This Heart”
“Peace Throughout The World”
Ziggy Marley & The Melody Makers
“Look Who’s Dancing”
Fine Young Cannibals
“I’m Not The Man I Used To Be”
“I Need Your Lovin”
“Do the Right Thing”
NELLEE WAS A FOUNDING MEMBER AND MAJOR CREATIVE INFLUENCE OF THE BAND SOUL II SOUL
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